E_VI
Multisensory Electronic Violin
Emerging from a classical violinist’s lineage, my artistic practice bridges physical engagement with computational innovation. By intertwining bodily movement with creative coding, I embark on a profound exploration of conflict and contrast. Shaped by my experiences within the complexities of society, my compositions break away from traditional notions of harmony, embracing dissonance as a reflection of the world’s discordant rhythms. Within the electrified
resonance of my instrument, I navigate a space where chaos meets creativity, noise intertwines with nuance, and tension dissolves into transcendence.
Through this deliberate interplay of structure and unpredictability, I seek to challenge the conventional violin sound, reimagining it as a vehicle for raw emotion and narrative depth. My work mirrors the unpredictability of human experience, weaving together chaos and order into a symphony that echoes the intensity of our intricate social fabric. Ephemeral Flux is a series of live performances where I merge my electroacoustic violin with my voice, redefining the boundaries of traditional violin performance. By incorporating experimental techniques and advanced technology, I transform the instrument into a dynamic and evolving entity. Utilizing multiple sensors, I explore new sonic behaviors and layers of complexity, allowing the violin to become an extension of movement, emotion, and space. This journey enables me to navigate the turbulence of the modern world, using music as a powerful medium for both personal reflection and collective expression.
RAGΞN
Instrument Design
"RAGΞN" is a wearable instrument — a body extension built with Conductive Rubber Cord Stretch Sensors that translates movement into sound. With this project, I explore the boundaries between body, gesture, and music, where physical motion becomes part of the composition itself. This instrument allows me to question who I can be, what my body is made of, and how I sound. I can become anything — water hovering in space, a fragile surface, a broken glass...
Holding onto my body, I explore the thin layers where movement, tension, and presence transform into sound. Each stretch, contraction, and release becomes a gesture of translation — the sensors reading not just position but intention, turning the body into an instrument that composes through its own physicality rather than through external control.
RAGΞN doesn't sit outside the body as a tool to be played; it lives against the skin, responding to the same tensions and releases that shape emotion and movement. It becomes a second skin — a membrane between interior sensation and audible expression, where the distance between feeling something and sounding it collapses into a single gesture.
What remains is a body that is fragile, shifting, unstable, and entirely alive — composing itself in real time.
