E_VI
Multisensory Electronic Violin
Emerging from a classical violinist’s lineage, my artistic practice bridges physical engagement with computational innovation. By intertwining bodily movement with creative coding, I embark on a profound exploration of conflict and contrast. Shaped by my experiences within the complexities of society, my compositions break away from traditional notions of harmony, embracing dissonance as a reflection of the world’s discordant rhythms. Within the electrified
resonance of my instrument, I navigate a space where chaos meets creativity, noise intertwines with nuance, and tension dissolves into transcendence.
Through this deliberate interplay of structure and unpredictability, I seek to challenge the conventional violin sound, reimagining it as a vehicle for raw emotion and narrative depth. My work mirrors the unpredictability of human experience, weaving together chaos and order into a symphony that echoes the intensity of our intricate social fabric. Ephemeral Flux is a series of live performances where I merge my electroacoustic violin with my voice, redefining the boundaries of traditional violin performance. By incorporating experimental techniques and advanced technology, I transform the instrument into a dynamic and evolving entity. Utilizing multiple sensors, I explore new sonic behaviors and layers of complexity, allowing the violin to become an extension of movement, emotion, and space. This journey enables me to navigate the turbulence of the modern world, using music as a powerful medium for both personal reflection and collective expression.
RAGΞN
RAGΞN is a wearable instrument developed as an extension of the body, constructed with conductive rubber cord stretch sensors that translate physical tension and movement into sound. The instrument functions as a responsive interface where gestures, bodily strain, and subtle shifts in posture directly shape sonic output.
Visually and structurally, RAGΞN reflects the same material language as the installation. Exposed cables, stretch-sensor cords, and entangled wiring form a network reminiscent of an expanded nervous system. This aesthetic and structural correspondence establishes a direct relationship between the instrument and the installation, where both operate as interconnected technological organisms. Within this system, the performer’s body becomes another active node, transmitting and receiving signals through movement and physical tension. Through RAGΞN, the body functions as a sensing interface, translating gesture and bodily strain into sound and contributing to the responsive behavior of the surrounding environment.
